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METHOD:PUBLISH
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BEGIN:VEVENT
CLASS:PUBLIC
CREATED:2007079T153458Z
DESCRIPTION;LANGUAGE=en-us:Patrick Jagoda (Duke University) explores Brian K. Vaughan’s award-winning Y: The Last Man as a means of characterizing the political investments of dystopian narratives as commentaries on the present and the perverse counterforce within developed civilization that inspires the imagining of everything from sociopolitical decline to total destruction. Dana Anderson (Maine Maritime Academy) discusses the way comics generate meaning through the lens of Merleau-Ponty's phenomenology by examining the word/image interaction in E.C. horror comics and their suggestion that our capitalist system, with its emphasis on consumption, leads to a cannibalistic community.
DTEND:20070726T203000Z
DTSTAMP:2007079T153458Z
DTSTART:20070726T193000Z
LAST-MODIFIED:2007079T153458Z
PRIORITY:5
SEQUENCE:0
SUMMARY;LANGUAGE=en-us:Comics Arts Conference Session #4: Reflecting and Refracting: Comics as a Social Mirror
LOCATION;LANGUAGE=en-us:Room 30AB
UID:20070726-143000-00000000000-0051
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